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Program Two
Broward Center 2015-16
Program Two
La Source - Balanchine/Delibes
Barber Violin Concerto - Martins/Barber
In The Upper Room - Tharp/Glass

Choreographed in 1968 and set to Leo Delibes’ exquisite musical score, La Source vividly recreates the elegant milieu of 19th-century French ballet. As an example of George Balanchine’s acclaimed “pink ballets,” this charming nostalgic work continues to enchant 21st-century audiences with its subtle beauty and bravura performances.

Two couples - one classical, one modern - engage in a provocative study of choreographic contrast and collision in Peter Martins’ stirring and quirky, Barber Violin Concerto, the excitement of which is enhanced by Samuel Barber’s neo-Romantic Violin Concerto, one of the most melodically alluring and widely performed concertos of the 20th century.

Set to Philip Glass’ driving postmodern score, Twyla Tharp’s signature work, In The Upper Room, deftly fuses seemingly divergent dance esthetics. Modern dance’s forceful energy is juxtaposed with the finesse of the classical tradition, both fiercely surging towards a spectacular climax.
Sat 1/16/16 8:00PM Broward Center
Sun 1/17/16 2:00PM Broward Center


Program Two
Arsht Center 2015-16
Program Two
La Source - Balanchine/Delibes
Barber Violin Concerto - Martins/Barber
In The Upper Room - Tharp/Glass

Choreographed in 1968 and set to Leo Delibes’ exquisite musical score, La Source vividly recreates the elegant milieu of 19th-century French ballet. As an example of George Balanchine’s acclaimed “pink ballets,” this charming nostalgic work continues to enchant 21st-century audiences with its subtle beauty and bravura performances.

Two couples - one classical, one modern - engage in a provocative study of choreographic contrast and collision in Peter Martins’ stirring and quirky, Barber Violin Concerto, the excitement of which is enhanced by Samuel Barber’s neo-Romantic Violin Concerto, one of the most melodically alluring and widely performed concertos of the 20th century.

Set to Philip Glass’ driving postmodern score, Twyla Tharp’s signature work, In The Upper Room, deftly fuses seemingly divergent dance esthetics. Modern dance’s forceful energy is juxtaposed with the finesse of the classical tradition, both fiercely surging towards a spectacular climax.
Fri 1/8/16 8:00PM Arsht Center
Sat 1/9/16 8:00PM Arsht Center
Sun 1/10/16 2:00PM Arsht Center


Program Two
Kravis Center 2015-16
Program Two
La Source - Balanchine/Delibes
Barber Violin Concerto - Martins/Barber
In The Upper Room - Tharp/Glass

Choreographed in 1968 and set to Leo Delibes’ exquisite musical score, La Source vividly recreates the elegant milieu of 19th-century French ballet. As an example of George Balanchine’s acclaimed “pink ballets,” this charming nostalgic work continues to enchant 21st-century audiences with its subtle beauty and bravura performances.

Two couples - one classical, one modern - engage in a provocative study of choreographic contrast and collision in Peter Martins’ stirring and quirky, Barber Violin Concerto, the excitement of which is enhanced by Samuel Barber’s neo-Romantic Violin Concerto, one of the most melodically alluring and widely performed concertos of the 20th century.

Set to Philip Glass’ driving postmodern score, Twyla Tharp’s signature work, In The Upper Room, deftly fuses seemingly divergent dance esthetics. Modern dance’s forceful energy is juxtaposed with the finesse of the classical tradition, both fiercely surging towards a spectacular climax.
Fri 1/29/16 8:00PM Kravis Center
Sat 1/30/16 2:00PM Kravis Center
Sat 1/30/16 8:00PM Kravis Center
Sun 1/31/16 1:00PM Kravis Center